4′ 33″ (Prepared Pianola for Roger Bannister)
Six elements and music: 1: modified pianola with perspex cover and gloss paint; 2: wooden cabinet with upper and lower doors (upper door with metal grill), painted with gloss paint, containing various musical instruments and ballrace mechanism with external start button; 3: four gloss-painted horns mounted on top of cabinet; 4: framed archival inkjet print, gouache painting and end of original pianola roll with letterpress additions, all on fabric backing attached with brass drawing pins; 5: framed archival inkjet print, on fabric backing attached with brass drawing pins. 6: wall text. Music performed by automated mechanism in cabinet followed by pianola score.
2012-
About the work
- Location
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Country: France
City: Paris
Place: British Embassy
This work by Mel Brimfield was commissioned by the Government Art Collection for the exhibition, 'Commissions: Now and Then', held at the Whitechapel Gallery, London from June to September 2012. Brimfield's presentation consists of a prepared pianola (a self-playing piano), a 'ball run' system triggered by visitors to the gallery, and related documents.
"4'33", a 1952 composition by US experimental composer John Cage (1912-1992), is referenced in the title but not played. The actual score for the pianola takes as its starting point, athlete Roger Bannister's performance in the 1952 Helsinki Olympics where he came fourth – the race that spurred him on to his sub-four-minute mile. The battle during the race for the lead, fragments of national anthems and echoes of theme tunes to British television sports programmes are all referenced. Brimfield's practice investigates performance art – from stand-up comedy to dance, theatre and political activism – and often relies on second-hand anecdotes or made-up stories that she further distorts creating a new fiction.
Collaborators:
Pianola Consultant and Build: Rex Lawson
Percussive Switch: Giles Walker
Letter Press and Print: Ryan Gillard
Composer: Paul Higgs
Producer: Keri Elmsly
Original Score by Paul Higgs with an excerpt from 'Pop Looks Bach' by Sam Fonteyn(copyright 1970 Cavendish Music Co Ltd.) Excerpt used by permission of Boosey & Hawkes Music Publishers Ltd.
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Explore
- Places
- Materials & Techniques
- prepared pianola, horn (as artist's material - musical instrument), bell (as artists materials), cymbals (as artists materials), pianola roll, studio chimes, drum (as artists materials), drawing pins, gong, perspex, mixed media (art material), paper (as artists material), gloss paint, gouache (as artists material), metal, wood, mixed media (art object), construction, collage, gouache painting, inkjet print, letterpress
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Details
- Artist
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Mel Brimfield (1976 - )
- Title
- 4′ 33″ (Prepared Pianola for Roger Bannister)
- Date
- 2012
- Medium
- Six elements and music: 1: modified pianola with perspex cover and gloss paint; 2: wooden cabinet with upper and lower doors (upper door with metal grill), painted with gloss paint, containing various musical instruments and ballrace mechanism with external start button; 3: four gloss-painted horns mounted on top of cabinet; 4: framed archival inkjet print, gouache painting and end of original pianola roll with letterpress additions, all on fabric backing attached with brass drawing pins; 5: framed archival inkjet print, on fabric backing attached with brass drawing pins. 6: wall text. Music performed by automated mechanism in cabinet followed by pianola score.
- Dimensions
- Pianola: 155 cm x 142 cm x 74 cm; cabinet: 213.5 cm x 82.3 cm x 82.3 cm; 2 wall pieces each 120 cm x 120 cm x 4 cm
- Acquisition
- Commissioned from the artist, 2011-2012
- Provenance
- the artist (commission)
- GAC number
- 18429