Hastings

Location

Country: UK
City: London
Place: Government Art Collection

Watercolourist John Gendall was born in Exeter and worked as a domestic servant, until his drawings came to the attention of Rudolph Ackermann. By 1811 he was working with Ackermann in London. Ackermann published his views of Dover and Calais (1820), the River Seine (1821), Hastings (1822), Edinburgh (1823), and numerous country seats. In 1824 Gendall returned to Exeter and soon formed a partnership with a Mr W. Cole, selling paintings and drawings, and running a framing business. After Cole’s retirement, he opened an art school. He exhibited landscapes in watercolour, gouache or oils, at the Royal Academy (1846-63) and was curator of the Royal Albert Memorial Museum, Exeter (1862-64), but retired after being injured in a rail accident.
Thomas Sutherland was a prominent aquatint engraver who specialised in sporting, coaching, naval and military subjects, as well as topographical views. His engravings were generally made after the designs of contemporary artists. His best known works are some of the 105 illustrations to Rudolf Ackermann’s ‘The Microcosm of London’ (completed in three volumes in 1810). Sutherland also produced a series of prints based on the Peninsular Battles of 1808 to 1814. He lived and worked in London.

Places

England, Sussex

Subjects

bathing machine, topography, seascape/coastal scene, Victorian Genre, beach, cliff, boy, man, woman, girl, house, sailboat, anchor

Materials & Techniques

aquatint, coloured aquatint

Artist

John Gendall (1790 - 1865)
Thomas Sutherland (1785 - 1838)

Title

Hastings

Date

published 1 January 1822

Medium

Coloured aquatint

Acquisition

Purchased from Frank T Sabin, July 1965

GAC number

7115