A Rake’s Progress: Bottoms Up

  • About the work
    Location
    Country: United Arab Emirates
    City: Abu Dhabi
    Place: British Embassy
    Marking her first major print project, Lubaina Himid’s 24 hand-painted screen-prints were made in collaboration with master printer Magda Stawarska. Both prints in the Collection feature enlarged details from engravings by the 18th-century British satirical painter and engraver William Hogarth. Himid twists Hogarth’s scenes of folly and frivolity into swirling, spirited and multi-layered collages of overlaid elements, characterised by Himid’s distinctive bold patterns and vibrant colours. Himid’s politically critical artistic practice is steeped in historical investigation and enquiry, engaging often with the tradition of history painting in the Western canon and with the often exploitative histories of textile trade. She has spoken about how Hogarth's engravings, theatrical painting series and his work with the Foundling hospital have influenced her practice for over 40 years. In Bottoms Up, Himid, who studied theatre design, and Stawarska, bring a sense of theatricality to Hogarth’s work itself, spotlighting the detail of a figure taken from the engraving titled The Orgy. This is overlaid with a triangular plane and a wave-like screen of colour – highlighting among other things, the weave of the fabric that the figures are clothed in.
  • About the artist
    Born in Zanzibar, Lubaina Himid moved to the UK as a child, where she studied Theatre Design at Wimbledon College of Art and Cultural History at the Royal College of Art, London. For over 40 years, she has actively encouraged the promotion and support of the Black Arts Movement, particularly work by women. In the 1980s and ‘90s, she curated a number of important group exhibitions including ‘The Thin Black Line' (ICA, 1985) and 'Unrecorded Truths' (Elbow Room, 1986). Himid currently lives and works in Preston and is Professor of Contemporary Art at the University of Central Lancashire. She is the winner of the 2017 Turner Prize. A major monographic exhibition of her work was held at Tate Modern (2021-2022).Other solo exhibitions of her work have been held at Sharjah Art Foundation UAE (2023); Muse?e cantonal des Beaux-Arts de Lausanne (2022); Tate Britain, London; Frans Hals Museum, Haarlem, The Netherlands ; and New Museum, New York (all 2019). Her work is held in various key museum collections around the world.
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  • Details
    Title
    A Rake’s Progress: Bottoms Up
    Date
    2022
    Medium
    Screenprint
    Dimensions
    height: 102.3cm; width: 76.3cm
    Acquisition
    Purchased from Cristea Roberts Gallery, August 2023
    Provenance
    Cristea Roberts Gallery, London UK; from whom purchased by UK Government Art Collection, 14 August 2023
    GAC number
    19201