Gaddesby, Leicestershire: medieval stonework

Location

Country: UK
City: London
Place: Government Art Collection

John Piper was born in Epsom, Surrey and worked in his father’s solicitors’ firm until 1926. He later studied art in Richmond and London. Meeting Braque in Paris inspired him to make abstract art and to exhibit with the Seven and Five Society (1934–35). In 1935 Piper collaborated with Myfanwy Evans (later, his wife) on the pioneering review, ‘Axis’. He abandoned abstract art for Neo-Romanticism and during the Second World War, as an Official War Artist, he recorded bomb-devastated buildings of England’s disappearing architectural heritage. A versatile artist, Piper made book illustrations, theatre designs, ceramics, stained-glass and textiles. He collaborated with Patrick Reyntiens on stained glass projects which included the baptistry window for what was then the new Coventry Cathedral, and the stained glass lantern for Liverpool Metropolitan Cathedral. Retrospectives of Piper's work were held at the Museum of Modern Art (Oxford, 1973) and the Tate (1983–84).

Places

England, Leicestershire

Subjects

topography, church, facade

Materials & Techniques

lithograph

Artist

John Piper (1903 - 1992)

Title

Gaddesby, Leicestershire: medieval stonework

Portfolio Title

A Retrospect of Churches

Edition

44/70

Date

1963-1964

Medium

Lithograph

Dimensions

height: 81.8 cm, width: 59.5 cm

Acquisition

Origin uncertain

Inscription

below image: 44/70 / John Piper; verco, br: "Gaddesby, Leicestershire"

Provenance

Royal Courts of Justice

GAC number

18755