The China Limodoron

Location

Country: UK
City: London
Place: Government Art Collection

This illustration is from botanical author Dr Robert John Thornton’s great work: ‘New Illustration of the Sexual System of Linnaeus’ (published 1799-1807). Thornton spared no expense in the production of the lavish publication, better known by its 1804 title ‘The Temple of Flora’. Although based on a dissertation about the sexes of plants by Swedish botanist, physician and zoologist Carl Linnaeus (1707-1778), Thornton added his own notes before publishing the work in parts.

‘The Temple of Flora’ was the most sumptuous botanical publication ever produced. Thornton, who had trained as a dentist, practised botanical painting himself but only included one of his own designs, ‘Roses’. Instead he commissioned several artists, including Philip Reinagle, Peter Henderson and Abraham Pether, to produce illustrations set against landscapes or allegoric backgrounds. In some instances the backgrounds do not relate to the flowers. For example, Reinagle’s Jamaican ‘Night-Blooming Cereus’ is set against a moonlit view of an English church. The high production costs of the publication led to financial disaster for Thornton and, in spite of the renown of the book, he died in poverty.

Peter Charles Henderson is best-known for his designs for 14 plates for the writer on botany R. J. Thornton’s work ‘Temple of Flora’ (1804). Henderson also illustrated ‘The Seasons, or Flower-Garden’, which included his own ‘Treatise of General Instruction for Drawing and Painting Flowers’ (1806). He exhibited genre scenes, portraits (including miniatures), still lifes and botanical illustrations in London between 1799 and 1829 at the Royal Academy, the British Institution and the Society of British Artists in Suffolk Street. Financial difficulties may have necessitated his many changes of address. Although he moved between ten different London addresses during this period, Henderson remained in the area just north of Oxford Street.
John George Landseer was born in Lincoln; the son of a jeweller. After moving to London, he was apprenticed to W. Byrne. His earliest work was for J. Farington’s ‘Views in the Lake Country’ (1784-88). He also produced plates for D. Hume’s ‘History of England’ (1792-93) and engraved P. J. de Loutherbourg’s Bible vignettes (1794). His children include engraver Thomas (1793/4-1880), painter Charles (1799/1800-1879), painter Sir Edwin (1802-1873) and miniaturists Jessica (1807-1880) and Emma (1809-1895). He campaigned for engravers to be full members of the Royal Academy, becoming an associate in 1806. He published his ‘Lectures on the Art of Engraving’ (1807) and two short-lived journals. From 1837 he was engraver to William IV. He died at 89.

Places

Subjects

orchid

Materials & Techniques

engraving, aquatint, colour aquatint

Artist

Peter Charles Henderson
John George Landseer (1769 - 1852)

Title

The China Limodoron

Date

1 February 1802

Medium

Colour aquatint and engraving

Acquisition

Purchased from Frank T Sabin, December 1958

GAC number

4772