A View of Westminster Bridge, with parts adjacent as in the Year 1760

Location

Country: UK
City: London
Place: First-tier Tribunal (Property Chamber), 10 Alfred Place

Samuel Scott, marine and topographical painter, was born in London in c.1702. His early subjects were marine scenes and naval engagements, painted in the style of the van de Veldes. However, following Antonio Canaletto's visit to the capital in 1746, Scott was influenced by the growing popularity of the Venetian artist's views of London and the Thames and devoted himself almost exclusively to this subject. Scott's London views became particularly popular. Unlike other imitators of Canaletto, he avoided the Venetian artist's permanent Venetian blue skies. He settled in the fashionable writers' and artists' village of Twickenham but later moved to Bath, where he died.
Engraver Pierre [Peter] Charles Canot is thought to have been born in France in c.1710; the brother of painter Philippe Canot. He was presumably in London by c.1735, when he produced hunting prints after paintings by John Wootton. A further set of prints, after marine works painted by Peter Monamy, were published in 1746. In 1758 he began a lasting collaboration with marine artist Richard Paton. The outbreak of the Seven Years' War brought commissions for depictions of the many naval engagements. He exhibited 19 works at the Society of Artists from 1760 to 1769 and was elected one of the original associate engravers of the Royal Academy in 1770, exhibiting there until 1776. Canot died at his home in Hampstead Road, in the winter of 1777-78.

Places

Subjects

Materials & Techniques

Artist

Samuel Scott (c.1702 - 1772)
Pierre Charles Canot (1710 - 1777)

Title

A View of Westminster Bridge, with parts adjacent as in the Year 1760

Date

published 25 February 1761

Medium

Coloured engraving

Acquisition

Purchased from Frank T Sabin, October 1961

GAC number

5624